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Item Title:

The Horse Rider in African Art- George Chemeche

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Books, Comics, Magazines

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Item Condition: New
Current Time:28 Feb 17 12:27:25
Time & Date displayed is forUnited States - EDT
Auction Closes:Learn more about Instant Buy

Quantity: (1 Available)
Price : £27.35 ($34.32)

Postage: £8.95 ($11.23)
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Item Specifics - Books ISBN : 9781851496341
Author : George Chemeche
27.35 15245218 The Horse Rider in African Art http://medium.snazal.com/?9781851496341 http://large.snazal.com/?9781851496341 George Chemeche 9781851496341 9781851496341 Media Books 45.65 The Horse Rider in African A
Lot # 15245218
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Item Location: Leicester
Seller Location: United Kingdom

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Title: The Horse Rider in African Art

Author(s): George Chemeche
Publisher:
ISBN: 9781851496341
Sku Code: 9781851496341
Media > Books
The Horse Rider in African Art
Description:
Horses are very rare in Africa. The few to be found west of Sudan, from the lands of the Sahara and Sahel down to the fringes of the tropical forests, belong to the king, the chief warrior and to notable persons. Due to the dense humidity of the tropical rainforest and the deadly tsetse fly, only restricted numbers of horses survive. And yet rider and mount sculptures are common among the Dogon, Djenne, Bamana, Senufo and the Yoruba people. The Akan-Asante people of Ghana and the Kotoko of Chad produced a good deal of small casting brass and bronze sculptures. Some of the artists could barely even have caught a glimpse of a horse. This visually stunning book presents a wealth of African art depicting the horse and its rider in a variety of guises, from Epa masks and Yoruba divination cups to Dogon sculptures and Senufo carvings. In Mali, the Bamana, Boso and Somono ethnic groups still celebrate the festivals of the puppet masquerade. The final chapter of this book is dedicated to the art and cult of these festivals, which are still alive and well. It is not the habit of the African artist to provide intellectual statements for his work, yet his unique creative dynamic and far-searching vision does not conflict with that of his Western counterpart. It is fair to state that the African, who though not educated in Western art history, contributed his fair share to the shaping of modern art.

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