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Item Title:

The Bigamist (BFI Film Classics)- Amelie Hastie-Used

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Item Condition: Used
Current Time:25 May 17 08:29:10
Time & Date displayed is forUnited States - EDT
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Quantity: (1 Available)
Price : £3.62 ($4.69)

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Item Specifics - Books ISBN : 9781844572663
Author : Amelie Hastie
3.62 16647267 The Bigamist (BFI Film Classics) http://medium.snazal.com/?9781844572663 http://large.snazal.com/?9781844572663 Amelie Hastie 9781844572663 9781844572663 Media Books 7.36 The Bigamist (BFI Film Classi
Lot # 16647267
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Title: The Bigamist (BFI Film Classics)

Author(s): Amelie Hastie
Publisher:
ISBN: 9781844572663
Sku Code: 9781844572663
Media > Books
The Bigamist (BFI Film Classics)
Description:
Directed by the actor/film-maker Ida Lupino, The Bigamist (1953) is the story of Harry Graham, a salesman travelling between two towns and two wives. In its portrayal of Harry's 'double life', the film takes on a double life of its own, hovering as it does between two genres. Telling the story through Harry's voice-over, yet eschewing the iconic character of the femme fatale, Lupino's film reveals and recasts film noir as male melodrama par excellence. In its rendering of this emotionally paralysed man, The Bigamist is a fascinating study of the post-War male. A collaborative affair, The Bigamist was written and produced by Lupino's ex-husband Collier Young, co-starring his current wife, Joan Fontaine, as bride number one, with Lupino in a turn as bride number two. The last of five films that Lupino directed for the independent production company that she co-founded, The Filmakers, it was notably the only film of its period with a woman director who also played a starring role.Amelie Hastie explores the film in the context of Lupino's personal and professional history. This is a film, Hastie argues, that reveals the changing structure of Hollywood film production in light of the emergence of independent studies; it delineates the life and exemplifies the work of one of only two women directors in the 'Classical' Hollywood era; and it provides a complex commentary on the fantasies and fear of mid-century domestic life in the USA.Amelie Hastie is Associate Professor of Film and Digital Media at the University of California, Santa Cruz. She is the author of Cupboards of Curiosity: Women, Recollection and Film History (2007).

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