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Item Title:

Television, Tabloids and Tears: Fassbinder and Popular Cul


Books, Comics, Magazines


Music, Stage & Screen

Item Condition: New
Current Time:22 Jul 17 00:02:45
Time & Date displayed is forUnited States - EDT
Auction Closes:Learn more about Instant Buy

Quantity: (1 Available)
Price : £9.54 ($12.37)

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Item Specifics - Books ISBN : 0816624550
Author :
9.54 2644602 Title: Television, Tabloids and Tears: Fassbinder and Popular Culture Recommended Retail Price : 14.00 Our Price : 7.94 You Save : 6.06 (43% discount) ISBN : 0816624550 Author : Jane Shattuc Publisher
Lot # 2644602
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Item Location: Leicester
Seller Location: United Kingdom

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Title: Television, Tabloids and Tears: Fassbinder and Popular Culture

ISBN : 0816624550
Author : Jane Shattuc
Publisher : University of Minnesota Press
Media : Paperback
SKU MIX6-U6-120C-ACD6-8630


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"I am Biberkopf", Rainer Werner Fassbinder declared, aligning himself with the protagonist of his vastly popular television adaptation of "Berlin Alexanderplatz". The statement provoked an unprecedented national debate over what constituted an acceptable German artist and who has the power to determine art. More than any recent German director, Fassbinder embodied this debate, and Jane Shattuc shows us how much this can tell us not just about the man and his work, but also about the state of "culture" in Germany. It is fascinating in itself that Fassbinder, a highly controversial public figure, was chosen to direct "Berlin Alexanderplatz", Germany's longest, costliest, and most widely seen television drama. Shattuc exposes the dichtomy of institutional support for this project versus the scandalous controversial reputation of Fassbinder as a gay man who flaunted his sexuality and flirted with drugs. Fassbinder built his reputation on two separate images of the director - the faithful adapter and the underground star; with "Berlin Alexanderplatz" these two identities came explosively together. Tracing the two artistic paths that led Fassbinder to this moment, Shattuck offers us a look at cultural class divisions in Germany. Her account of Fassbinder's history as an Autor reveals the triumph and failure of bourgeois cultural domination in postwar West Germany.

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