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Item Title:

Symbolic Imprints: Essays on Photography and Visual Culture-Used

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Item Condition: Used
Current Time:30 Mar 17 17:48:29
Time & Date displayed is forUnited States - EDT
Auction Closes:Learn more about Instant Buy

Quantity: (2 Available)
Price per item: £10.16 ($12.69)

Postage: £8.95 ($11.18)
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Item Specifics - Books ISBN : 9788772887876
Author :
10.16 16554937 Symbolic Imprints: Essays on Photography and Visual Culture http://medium.snazal.com/?9788772887876 http://large.snazal.com/?9788772887876 9788772887876 9788772887876 Media Books 12.41 Symbolic Imprin
Lot # 16554937
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Bookshop2000 (112|0)
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Item Location: Leicester
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Title: Symbolic Imprints: Essays on Photography and Visual Culture

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ISBN: 9788772887876
Sku Code: 9788772887876
Media > Books
Symbolic Imprints: Essays on Photography and Visual Culture
Description:
Current research into photography from a European perspective strikes a solid contrast to North American studies. This synopsis of Continental thought covers recent attempts to re(write) the history and theory of photography. In assessing current research, the contributors argue that photography is the matrix according to which we produce images in the broadest sense, including imaginary ones. Major emphasis is placed on the reception of the image. Individual authors comment on the task of verbally describing a photograph, survey historical issues of visuality and interpretations, discuss new documentary practices, and measure the significance of the subject in the statement made by the photograph. The work of Victorian photographer, Clementina Hawarden and her sensual, rarely pictured pictures are featured. In studying gender aesthetics and politics, the essays explore the connection between photography and pornography, reject standard psychoanalytic interpretations, and incorporate new linguistic philosophical approaches to the medium. Death, memory, the traumatic, and photography's muteness towards the past are also discussed. A final essay assesses how the impact of photography will vary once a passive viewer becomes a use of interactive video. This book should be of use in advancing theories of photography and photography's place in the post-modern consciousness.

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